Wednesday's Three Word Wednesday

The words over at Three Word Wednesday are fragile, rampant and tremor. This is short and tense, as I got my stuff Monday and I’m still unpacking.

Tremors
Bent awkwardly in the mid-section, he rests his ass on a chipped metal gate, but the puke won’t come.
The tremors started hours ago, and like a pregnant woman’s contractions, they’re coming at shorter and shorter intervals.
An east wind blows warm across his skin. It carries with it the scent of fried foods, wet paper, a slight whiff of sewer gas. The breeze races over his skin, upsetting an already fragile condition.
“Huuuuurcccchh.”
Viscous drool, clear and bubbly, escapes bluish-purple lips.
Passers-by give him an even wider berth than normal; a baby in a stroller looks back, catches his eyes, and begins to wail.
“Huuuugrrgggllll.”
He spits once, and a tooth hits the concrete. He spits again. Each mouthful of saliva carries with it more teeth.
Even he’s surprised at the lack of blood.
“Urrrrcchhhhh.”
There’s something rising from the pit of his belly. His throat tastes of bile, bitterness. He stands, wobbly, puts a hand on the gate, bends to vomit.
“Huutttrtrrrrccch.”
Droplets of blood, dark crimson, fall from his outstretched mouth and onto the broken concrete like raindrops. His mouth feels slick; he flicks his tongue across toothless gums and whimpers.
He’s fighting for breath.
His fingers constrict, turn into claws and rip at his throat. It’s shutting off his airway. His forehead turns scarlet, then purple, the veins in his temples pulsate blue. The whites of his eyes are filling with blood, as capillaries burst from the pressure.
Falling to his knees, he looks through nearly dead eyes and a dizzying haze at the crowd that’s been drawn to him, a circle of gawkers. He wants to tell them to run very fast, run far, far away.
There’s one last push.
“Huuuuurrrrcccccckkkkspplechk.”
His lifeless flesh hits the pavement. A woman screams.
But it’s free, breathing on its own, looking for new hosts.
The crowd scatters in panic. There are sirens in the distance, urgent, converging.
Across the static of radios, there’s worry in the dispatchers’ voices. The calls are now rampant across the city. Sickness, vomiting. Something else.
Something. What? Alive?
There’s too many calls.
Just way too many.

OneWord, Shore

It's good to have personal stuff. As I write this, I'm sitting at my desk, in my chair, with music playing and the dog curled up at my feet. Still have some unpacking to do, so I've gone over to OneWord to get their prompt.
The word is "shore." As always, you get 60 seconds to write.


Barefoot on the sand, she follows the spine of the shore by feeling where the tide tickles toes, brisk and refreshing. It’s a moonless night, and the darkness feeds her mood. There’s a sadness to her gait, dried tears upon her face. There’s a slight rise in the sand and here the shoreline opens up. Water laps over her feet. She turns toward the water and begins walking, fresh tears streak down her cheeks.

Video Friday: Social Distortion

OK, yes, I've featured Social D on Video Friday before.

But this time, there's news.

First, Mike Ness and the boys will be playing the Roseland Ballroom in NYC on Nov. 4. I've got my tickets and if you're in the Greater Metropolitan Area, come along.

Since I think they'll maybe debut a few songs from their upcoming LP, "Hard Times & Nursery Rhymes."
That disc won't drop until Jan. 18, but the first single, "Machine Gun Blues," will drop on iTunes Nov. 16.

Until then, there's these fine clips from Social D, your Video Friday:

"Bad Luck"



"Don't Take Me For Granted"


"Don't Drag Me Down"


"Telling Them"


"Mommy's Little Monster"


"Ring of Fire"

Wednesday's Three Word Wednesday

The words over at Three Word Wednesday are effect, immense and shimmer.
Sorry The Tension has been a little bleak these days for posts. No secure Interwebs connection. That all gets corrected this week.

In Transit
When it happens, I’m in the North Woods of Central Park, high on a grassy point with trees and rocks on either end, my back pressed into a cool carpet of green.
Opening my eyes, I’m staring up at a giant black willow that has taken on an aura of lightness, a shifting of colors throughout the spectrum. I close my eyes, open them, and proceed to click through several new sight effects: infrared, spectral, classic color.
Zooming in, I watch each slender leaf get picked up by the breeze, begin to vibrate and within each branch join in a symmetrical symphony that brings to mind theory.
Intelligent Design? No, I toss that aside. Chaos? Too random.
And in the wavering of the leaves, it comes to me – String Theory, the musical notes of the universe all tuned and played under various tensions. Breathing deeply, I catch the wet earthiness of the meer to the east, the fragrant herbaceousness of the grass, the slight saltiness of the homo sapiens who surround me in the knoll, having kicked off their shoes and shed or arranged shirts delicately to soak up warm sun rays. While I feel the warmth, I also sense on my lucent shell gradient temperatures, barometric pressures and this alerts me to a change of seasons, that while still quite temperate out, there is a detectible bite of fall carried on the wind.
I am filled with undeniable lightness and immense joy.
Through new eyes I canvas my new casing, a shimmering that’s like a whisper.
And focus on the immense erection I’m sporting. Changing vision, I see waves of heat, colors that announce pleasure, arc-like waves of blue-bolt energy. Truly satisfied, I rise to a seated lotus position, raise my appendages and stretch.
From the corners of my peripheral vision – now nearly a complete 360 degrees – I focus on the two forms walking forward to my left. Nearly identical forms to my own, wisps of energy, but more rounded.
Ah, female.
They walk by, appendages wrapped around each-other’s hips, sauntering gently in lock-step precision. As they pass, they giggle and wave, motion for me to join them. I rise, partner with them in the middle, resting my appendages on the swell of hips and slowly caress the round suppleness of what was once human flesh.
More giggles as we compare and contrast the fiery displays of our sexual organs, all electric and pulsating. Joining limbs, we collapse into a pile of static brilliance on the lawn.
I am stirred from resolute ecstasy by the yapping of a French bulldog, who senses our presence. He’s wearing a little black leather biker vest, the owner’s equally black leather leash secured by a silver ring. The owner tugs furiously on the dog, admonishing it for seemingly yapping at the breeze.
Past the dog, on the trail headed toward the meer, I scan my human self, walking our dog. She looks at the bulldog, then at our pulsating mass. My human form does the same.
I wave from the grass, triumphant and ecstatic.
He waves back from the asphalt, a furrow of slight recognition wavers across his face.
The dog strains at her leash as a squirrel bounds from a tree, scampers across the trail and disappears into the underbrush.
I watch myself turn, retreating around a bend in the trail, forward into his inescapable future.

Wednesday's Three Word Wednesday

The words over at Three Word Wednesday are absolve, hiss and ridicule. Another departure, I think you'll agree.

The Trials of St. Jerome
The hardened, gum-stained concrete sends shivers of pain up Jerome’s stumps, into his ass and explodes into a swirling ache up his spine. There’s no time – no use - complaining. He senses the impatience of two of New York’s Finest above him.
From his full height, that to mid-thigh on a whole man, he can hear the cops leaning heavy on their handguns and nightsticks, making the black leather stretch, scream.
He’s working as fast as he can on his wheelchair with a generic multi-tool. A spoke’s come loose – well, to be fair, it was kicked loose – and he’s trying his best to tighten the wobbly wheel.
“So Jerome, where’s that bag thingy you guys hafta shit and piss in?” the big cop asks through a wad of gum. “Where do you hide something like that?”
Jerome hangs his head, speaks softly to the subway platform.
“I’m an amputee, not a paraplegic.”
“What’s that, asshole? Fucking gimp, speak up. I’ve got better things to do today than baby-sit your ass.”
“I’m an amputee,” Jerome says, face turned upward to the officer. “Not a paraplegic. My bowels work as fine as yours and officer DeSalva’s here.”
The cop shrugs off the statement, laughs.
“Yeah, but I can pee standing up - can you?”
Jerome ignores this, ends up cutting the spoke with the wire cutters. Binding everything together with a piece of duct tape, he locks the chair in place, secures the multi-tool and tape in his fanny pack that’s hooked to the back of the chair, he launches himself into the soft black seat.
“Ready when you are, officers.”
Red-faced, the gum-chewing cop pushes Jerome roughly across the platform and hauls him up the steps backward – each metal-lipped riser another jar to his already aching back, even though there’s an elevator at this station - and into the sun-lit morning.
“You so don’t want to see my face again today, Jerome,” the cop spits, close and menacing enough to ruin the minty-freshness of his breath. “I’m fucking serious here.”
DeSalva clucks his tongue, shakes his head.
St. Jerome is well-known to New York’s Finest, a complete nuisance to the transit authority, having been arrested 67 times, carted roughly off buses and subway cars in all five boroughs.
Once, while riding the Staten Island Ferry, a couple of longshoremen dangled Jerome from the back of the platform, until a cop intervened, slapping him hard in the head for causing a problem.
Modern-day prophets get no respect.
Jerome wheels himself daily to the 3rd Avenue station in the Bronx, takes the elevator to the platform, hops the 2 express downtown. Less stops mean less chance for interruption – by the cops or the pesky representatives of the transit authority.
He wheels into a car, locks the wheelchair into a stationary position tucked into the handicapped area at the front of the car and waits for the train to roll.
Waits for the transformation.
It starts as a vibration deep within the muscles, near to the bone. There’s a slight smell of ozone, like a brewing summer’s storm, and it gathers into his chest. His breathing relaxes, his heart rate levels out.
It’s nearly time.
Even without legs, Jerome is an immense ocean of a man. Bald, black, skin the color of brownie batter, balloonish biceps from pushing himself around the city. He’s barrel-chested, with a voice deep and rich, like black-strap molasses.
The ringing in his ears commences and his sad, yellow-tinged eyes roll up into his skull and the voice comes straight from his diaphragm, reverberating straight into the crowded car.
The riders are non-plused. Several continue reading, doing Sudoku puzzles, never look up. Teenagers ridicule him in small clusters, pull out mobile phones, take pictures of the man in the wheelchair, bursting forth with a gibberish they can’t comprehend.
Most pull out their iPods, adjust the volume up and effectively make St. Jerome’s dialogue, the twitches and hand gestures that come with his sermon, disappear.
He makes it to Penn Station before an elderly woman launches herself from the robin’s-eye-blue plastic seat, and commences to kick his chair repeatedly, viciously, bending spokes with her comfortable, gum-soled shoes. She’s wiry, elegant in her attack, which is the one thing that will draw an audience.
There’s a hint of Jewish beauty left in her cheeks, the sleek roundness of her shoulders, her straight spine as the kicks grow more complete with Jerome’s rants. Ropes of saliva fling from her unpainted lips, her eyes a pulsating rage.
“Heretic!” she screams. “Blasphemer!”
Officers DeSalva and Seavers grab her by the biceps and shoulders, pull her out of the car, still kicking and screaming.
Jerome sits there blinking, mouth dry, a headache starting to form between his eyebrows.
“Jesus H. Christ, Jerome,” Seavers says, unlocking the battered chair and wheeling the prophet onto the platform. “She really did a number on this thing, eh? Serves your right, for chrissakes.”
Jerome unbuckles his seatbelt, launches his ass onto the concrete, begins working on the chair, stumps pressed into the grit and grime of the platform.
“You’re a lucky fuck, I’ll give you that,” Seavers says, stuffing another stick of gum in his cheek. “That lady there, she don’t want to press no charges.”
“It was I who was attacked. I am simply trying to help absolve them of their sins.”
“Fuck you, Jerome,” Seavers says, grabbing the worn black rubber handles of the chair.
“Look, you hafta stop pissing people off, man,” DeSalva whispers into Jerome’s ear as they escort him to street-level. Seavers lets him go with one lurching push, wags a finger, turns into the crush of people.
Jerome locks his chair, and the crowd flows past him like water flows around a rock in a stream as he lets the sun warm his face.
The officers gone, Jerome is free to wheel himself back to the elevator, back down into the tubes.
The rest of the afternoon goes off without incident. Jerome rides the 2 to its terminus in Flatbush, back up to catch the 7 to Flushing, Queens and back home to the Bronx.
It’s a long roll back to his one-room, street-level flat.
Mostly, people ignore him, take no notice of the wheeled chair they must push themselves around, quickening their pace as they do so.
Yet young children steal a quick touch they pass, cross themselves, smile. He smiles back, heart swelling as to the innocence of the little ones.
Night pushes shadows across the apartment as Jerome sits transfixed in an overstuffed chair he’s help rescue from a street-side trash heap. He’s staring at a sorry excuse for a ficus tree, it’s leaves yellow, the potting soil crowded with the curled detritus of fallen leaves.
St. Jerome waits for a sign, prays for it, eyes shut tight, the ancient language a whispered chant upon his chapped, purple lips.
There’s a change in air pressure, temperature in the flat. Jerome opens his eyes as petite licks of flame begin on one leaf, then another. Soon, the tree is a burning bush of fire.
“Patience, Jerome,” the voice explodes in his head, ringing in his ears.
“Father, maybe I should try the message in English, or perhaps in Spanish.”
“Everything and everyone has its purpose.”
And the flames die out.
Tears roll out his eyes, down his temples – salty and hot – and soak into the bare mattress on the floor.
There’s a steady rain falling, the hiss helps drown out the sirens, keeps the sidewalk chatter to a minimum. Jerome’s chest heaves as sobs of tension, longing, hurt leave his body.
He never asked for this, yet has never once complained since it happened. The frustrations leave him cool and he grabs a wool army surplus blanket and tucks it under his chin.
Tomorrow is a new day.
The message remains the same.
Judgment Day is upon the sinners of this world.
And he’s been chosen to alert them, in Galilean Aramaic of all things, that Jesus is coming to collect all the wicked souls.

OneWord, Sunlight

Still no Interwebs service at home. Everything is done by coffee shop or stolen signal.
Thought I'd do a OneWord. One word, and 60 seconds to writer. That word? Sunlight.

Sunlight pervades this place. The kind of lemony-yellow light that makes you squint, sneeze, just by looking at it. It envelopes you, like a blanket, warm on exposed flesh that turns to heat when out too long. Sunlight like the skin of a golden delicious apple, fragrant, vibrant. The final strong rays of fall, before another winter sets in, turning skin to alabaster, gooseflesh.

Thursday's Three Word Wednesday

The words over at Three Word Wednesday are hint, lust and sheen.


Son Plaisir
When, exactly, had it come to this?

She dug the heel of her rubber-coated boot into the spongy earth, trying to remember the last time they’d had sex. The last time he’d run a calloused-covered hand across the smooth skin of her ass, or even touched her hair in a haphazard moment of lust.

Her eyes compress into a squint, hazing out the early morning light, trying to focus.

He was out there, in the heated cab of a tractor, Willy Nelson blazing from the cassette deck he installed. She’d suggested a CD player instead, but he huffed it off as usual, scratched an itch on his shoulder and tottered off bow-legged, which once she found incredibly sexy, when she was still in high school and he was already working his father’s land in Wranglers and pearl snap-buttoned shirts.

Now it was greasy overalls, a well-worn Carhartt jacket and a John Deere hat, which the sun had robbed of its colors, making it a sorry mish-mash of sage and piss-yellow.

A heavy sigh comes out as a cloud of condensation, and she rolls her hair across the collar of her jeans jacket and begins to think about tonight’s menu.

A hint of a smile appears on her lips, carefully lined and glossed with the latest designer color for spring.

Knowing he’ll want burgers torched to well-done hockey pucks on the propane grill, or maybe those horrid egg rolls from the café that doubles as a bowling alley in their tired Nebraska farm town, she runs down the list of ingredients of her fridge and settles on seared scallops with roast tomatoes.

Just thinking about it touches off a warm wetness in her Agent Provocateur tanga shorts.

The first time it happened, she was preparing a seasoned pork roast with mushroom sauce - a near orgasm as she took her first bite in the kitchen and well before calling her husband up from the basement, knowing he’d seat himself at the head of the table, greasy cap still on, and a Gatorade bottle half-filled with spit from his copious Copenhagen chews.

Every night since, she’d committed herself to fulfillment, one dish at a time.

But with everything else in her life, each new menu idea brought with it a little less thrill. She longed for one meal, that one menu, which would deliver unto her a full-on, call-out-Christ’s-name orgasm that had so long ago escaped her life.

And she wasn’t even 40 yet.

The heat of the kitchen washes over her, as a pot of salted water nears a boil on the Viking six-burner stove she’d insisted on during the last remodel of his grandparent’s farmhouse, the one that was rebuilt next to the homestead location, a one-room sodie cast out of bricks cut from the prairie. The cherry tomatoes were washed, sliced and roasted, the pasta rolled and sitting on waxed paper ready to boil. She put her grandmother’s cast-iron skillet to the heat of the blue gas flame and pats dry the scallops and applies just a hint of fresh-ground sea salt and Malabar black pepper.

She drops the pasta into the boiling water, plunges the scallops onto the blackened iron and listens for a sizzle – in the pan and in her tight, tense body.

Alas, there’s just the warm wetness again – which she’s grateful for, don’t get her wrong – as she takes the first forkful. She removes the apron from around her waist, smoothes out the skirt he’ll never notice, and pinches her nipples – she wears no bra – through the silk blouse and calls to her husband that dinner is ready.

There’s a smear of sheep shit painted across the main chest pocket of his overalls; he’s come up without his hat and she studies the liver spots on his nearly bald pate, the whiteness of the hair left above his scarred up ears.

“What’s this?”

“Seared scallops with roast tomatoes over fresh pasta. I’ve grated some Parmesan cheese, too.”

“Scallop? Like a goddamn clam or something?”

“It’s a shellfish, yes.”

“Huh.”

And the meal commences and ends without conversation.

Alone in her queen-sized bed, under an Amy Butler quilt set, she shines a penlight at the cookbooks that litter the bed, open at various spots, hoping for inspiration. She runs a finger across Julia Child’s “Mastering the Art of French Cooking,” knowing perhaps that it’s the one book where she’ll find her sweet release.

And there it is, Julia’s recipe for Boeuf Bourguignon, so simple and enticing, which she decides to pair with Child’s chocolate and almond cake with chocolate-butter crème icing. Classic, beefy, chocolate-infused.

Heaven.

Pulling back the covers, she adjusts the corset and garters she’s selected for the evening and slinks past the door to her husband’s room, hears the buzz-saw snores coming from his chapped and tobacco-stained lips and tip-toes down to the pantry to take stock. She goes further into the basement, into the root cellar where she’s canned all of last season’s vegetables, and goes to the wine cellar she’s made him construct out of oak slats. With the penlight, she scans the dust-covered bottles and finds the bottle of Beaujolais she’s laid there on her last trip to Omaha to stock up on all things civil and needed.

Bottle in hand, she runs two fingers across the sheer silk of her panties and shudders in anticipation.

Dawn spreads its colors across a gray landscape, and she watches from the window as he walks cockeyed toward the new shed he had built, the one that holds not only the farm’s implements, but the snowmobiles and the expensive tractor he had specially-built for pulls (he was last season’s points leader, despite being well into his 60s and supposedly past his prime, but fuck those young kids and their tattoos and their attitudes).

Bathing in an ancient claw-foot tub, the water milky-white from the imported and scented sea salts, she runs the recipe over and over in her mind. She’s nearly committed it to memory, the added weight to her brain a gift, she thinks, and plans out the entire day.

There would be the one interruption, he’d come home wanting lunch at noon, and she decides to play with his taste buds by giving him fried bologna sandwiches on farmers bread she’d bake fresh this morning, in addition to the meal that would take her most of the day to complete.

Out of a cedar-lined cabinet (he is good with some of his tools, she thinks), she selects a Agent Provocateur Fifi slip and a matching black silk tie-side panty ($450 and $90 respectively over the Internet, delivered in discrete brown wrappers far from small-town prying eyes), which she covers with a simple sun dress in bright oranges and reds.

She preps the vegetables, slowly washing the carrots across cupped fingers, chopping the bacon into exact lardoons from a non-lactating sow they’ve butchered from last year, and sets her coveted red-enameled fireproof casserole on the Viking’s main burner.

Everything is as it should be.

Knives sharpened, she works the carrots, the celery and onion into a fine Mirepoix and sweats the bacon over medium heat. She dries the hunks of beef on cotton towels, adds them to the smoking bacon fat, watches the sizzle as it hits her skin. She works the beef in batches, not crowding the pan to ruin the taste.

Everything seared and sautéed, she returns the casserole to the flame, tosses the vegetables, arranges the next steps. Carefully arranging the casserole, she sprinkles the mess with flour, sets the oven to 400 degrees (turning it down to 325 as directed) and stirs in the entire bottle of wine (save for one small glass which she sips) and brings to a boil over her gas-powered flame.

She slides the casserole into the oven, and switches her attentions to the granite countertop, where the cake ingredients have been laid out, like soldiers on the field of battle.

The cake pans get a coating of butter and flour, coffee and rum begin to heat on the stove. Her mother’s Kitchen Aide comes to life, creaming soft French butter with real cane sugar and farm eggs (room temperature) that have been separated whites to yoke for various uses.

Pans filled, she slides them into her auxiliary oven (who doesn’t need two ovens, really) and checks Hubs progress as he tills the black earth for this year’s corn and soybean crops.

Lunch is a quiet affair. He’s in-and-out in a flash, saying he likes the way the kitchen smells, and she leans into the counter, knees slightly weak as the moment hits her.

This could be it.

 Please God, please let it be it.

The cake comes out first, and she cools each layer on wire racks, moving toward finishing the chocolate butter crème frosting, which comes out silky smooth, delicious. Using a long-handled pastry knife, she carefully spreads the cake with sumptuous layers of frosting, leaving the fancy decorations to the food photographers.

This is a meal worthy of her dreams, desires.

The cake rests on a crystal pedestal, dark and rich. The Viking dings, and she rushes with towels to open the oven, lifts the heavy casserole to a burner, opens the lid. The room gets warmer, she thinks, as the heat of the heavy pan mixes with the chocolate, the butter.

The wetness stirs in her; a sheen of sweat appears across her brow. Her heart palpitates, beats ever so faster.

She reaches in with her tasting spoon, stirs the rich beef liquor and takes a taste.

The orgasm rocks her to her bones; a seismic eruption of heat and wetness that radiates through her person, exiting her toes her, fingertips.

Dropping the spoon, she grips the granite countertop and rocks her hips in mock sex, bucking against copper drawer pulls as her orgasm reaches its peak.

And all at once, everything goes white-hot, silent.

She awakens on the floor, crumpled where she fell, legs bent at hurtful angles. She rises to the counter, breathes deep, takes in the scent of the Boeuf Bourguignon, the chocolate and almond.

The scene sets off another round of shaking orgasms, setting her back arching and her nipples on fire.

A cascade of hot, sticky cum-filled moments pervade the kitchen as she tastes the beef stew once again.

She’s panting now, spooning the stew in to serving dishes.

On a whim, she sticks two fingers deep into the cake up to her  third knuckle, extracts them and sticks them into her mouth, sucking greedily.

Taking a pastry knife, she smooths over the punctures, and satisfied with the results, brings her hands to her back and unties the apron that’s snug around her hips. She looks at the wet spot that’s seeped through the silk, spread through the fabric of the dress and smiles, deceitful.

She knows she should run and change her soaked panties, the coolness beginning to take hold from her knees to her thighs, but she declines.

Let him smell her sex, she decides, through nasal passages clogged with sheep shit and dark, rich soil.

She feels her hips, her thighs, her ass through the fabric, breaths deep, picks up the serving bowls.

And with tears streaming down her cheeks, announces:

“Honey, dinner’s ready.”

Scenes From The City

Funny what gets awakened when you move to a place where there’s something to see around every corner.

I’ve been in New York some 72 hours, and besides stopping at odd moments to profess, “I live in New York,” I’ve found that having my camera handy is a terrific way to document not only the journey I’m on, but the city where I choose to be inspired.

And what inspiration.

Funny, I’ve not taken a lot of shots in my neighborhood. I sit on the dividing line between Harlem and East Harlem in Manhattan. But I had a guest in town, H, who graciously drove my truck back to SooFoo (and will babysit it) in exchange for a weekend in the city.

Those shots will be coming in the next days and weeks.

But for now, sit back, relax, and view other parts of the city through the lens of my Cannon G11 camera:

Random subway images




Rockerfeller Center

Union Square





World Trade Center

Times Square



Video Friday: New York, New York

Hell, why not? In a few short hours, I’ll be in the heart of the city.
New York.
To start a year’s sabbatical living, observing, writing.
So, for your Video Friday, here are the songs of New York, or bands who are from New York:

Sinatra


Jay-Z, Alicia Keys


Paloma Faith


Ramones


Sonic Youth


Velvet Underground


New York Dolls


Anthrax


The Walkmen


The Strokes


LCD Soundsystem